the debut album from bob moses on 180 gram virgin 2x12 inch vinyl, housed in gatefold sleeve. downloadcode for the full album plus 2 bonus tracks (she dont mind / here we are) included.

the debut album from bob moses on silver coloured 180 gram virgin 2x12 inch vinyl, housed in gatefold sleeve. downloadcode for the full album plus 2 bonus tracks (she dont mind / here we are) included.

allnite music is back with vinyl only gems. we are glad to provide you diversity from early hour deep/dubby moods to dance floor heaters. texture & groove 4those who know.

masterworks music certainly know how to make an entrance, kicking off this new series, bag of tricks , with a star-studded cast. picking the best high-end sizzlers from a who s who of the nu-disco scene. highlights include the sublime slicked-out chic-style electro-disco of rayko looks like love the shiny 80s synth-soul seducer too much for me to take by dr packer and the shoulder-padded power-stomp of 80s child s bangkok nights pressed on limited white vinyl these won t be around for long so act fast!

high mobility weapons unit sets off from an unknown location on earth, making its maiden voyage beyond our solar system and towards a distant galaxy. the transverse velocity ep is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts. the a-side kicks off with the eps title track transverse velocity, where an array of eroded satellite bleeps and waves loop together as the analogue low-end pulsates rhythmically below. in wave 102 the bleeps are detuned and erratically timed, with a glitchy tape delay unit modulating them throughout the track. the saturated 808 kick drum and processed percussion are given a functional structure, allowing the bleeps to take centre stage. on the b-side, both cycle 01 and astronomy tool serve as stripped-back percussive dj tools. cycle 01 rolls along with its hollow, muted polyrhythmic stab line, whilst astronomy tool drives forward with an effective, crystalline synth hit. mastered by black monolith studios.

tominori hosoya s last original ep (dear my father ep) is not too long ago, and now hes back with a brand spanking new-four-tracker for the swiss boutique label deepartsounds. the four tracks are splendid produced and every sound and chord was crafted with care and precision. pure and warm deep house music as it should be. 250 copies pressed

mos ferry presents dapayk solos new double a-side single transformation. this is not only a two track preview of his upcoming album nofilter, but also a return to his roots of experimental ways and angularity in his production. but dont worry, this record is anything but old dapayk says: its more reduced, more analog and dirtier than anything i have ever done before.

why does my mind circle around you? why do planets wonder what it would be like to be you? this time vakula explores the universe of the man who was searching for a world where there were women and children obeying the moon but faced the reality with its wisdom, and fever, and sickness. and faced it too soon. the music and voices are all around us. choose, the croon, the ancient ones. the time has come again . the album is vakula s thoughts in time and out of season dedicated to morrison, the poet, the musician, the soft mad child, the great man. enter again the sweet forest, enter the hot dream, come with us. everything is broken up and dances*

serioulsy violent opening on this ep with a massive deep hardcore shaker 175 bpm. then comes the nuklear waste society and it 170 bpm sustained hard kick and deep acid spirals. a side brings a loud dancefloor middlenight sound! b sides open on a acid breakcore tune, at the crossbreed frontier without passing it for real. too hard for them! too ritch in sound! finishing with mental breed, a superb acid bath of beats and never surrender 4/4 dancefloor effect.

you could not miss the 4/4 kickdrum during the 90s in the rhein-main-area around frankfurt/germany. therefore phonk ds first attempts on house and techno were pretty successful during this period. but his feet being too big for just one dancefloor he developed a taste for funk, disco and hiphop, too. so all these influences kept on working together and - as a result - in 2014 he founded his own label footjob. three records have been released so far, all of them collaborations with friends, and now no.4 is ready to take off - being phonk ds first solo project: expect some heavy phonk to get your foot-job done!

finally putting to rest a one-year break, retreat is back in full swing in order to bring more heat this summer thanks to the busted moniker ep from quarion! with four tracks that showcase a jazzier, somewhat wilder side of the retreat co-founder, busted moniker has the stamp of a producer on top of his game, squeezing out all of the funk from his machines and letting loose without too much over-thinking. can you handle it?

we have become the people that we hate, scuffing and cursing at the world. you run away but you can never walk. you speak the word but you can never talk. you limp on a hill and spill all that shes left you on a saw. rip the shreds into pieces too, why dont you. eat them sweet and raw. if love first brought us together why shouldnt it still? we are human in the end and what makes us dance is no other thing than love. as long as we live, we will love. mrs jones stands as a dedication to mans ability to love, to dance.

von zeit zu zeit kommt ein dj, sänger oder produzent daher, der zwischen den unterschiedlichen szenen wandelt, der die brücke zwischen den einzelnen bewegungen schlägt und deren musikfans vereint. seven davis jr hat diese qualität. seine produktionen haben eine rohheit, einen losen, hoppelnden groove, der selbst die hartnäckigsten hüften in bewegung bringt

this is how it started focuses heavily on the early days of the chicago sound, especially in the formative years at ron hardy s music box. vinyl sampler 4 of a comprehensive journey in the essence of chicago house music is set too feature mach, robert owens, clandestino & eli escobar.

mathieu cle aka closed paradise has made a remarkable impact with only a couple of releases under his belt last years superb release on all ears label fools & fables really stood apart from contemporaries with its nimble melodic and atmospheric take on modern mid-tempo club music. get your bearings has quite rightly become an anthem for loyal balearians the world over. above machine have become champions of this sound from the off too, setting the bar incredibly high with a stunning catalogue of releases.

ep starts with my m my s track which was edited with a monoplay voice and collaboration, a classy melodic deep and box track to start the set with. the extended play continue with a «give me love» bomb - groovy and super foxy house track like a colorful kaleidoscope of sounds. no time for regrets is tribal colored and groovy tech house track to be liked by a producers with a thin smooth taste. nehundredandninthizm is ode to a one of most famous synthesizers in a world containing the sounds of it spicy beats and bright percussion line.

the second loveit press comes right in time for the festival season and for dusty basements too. suolcity is a young producer from stuttgart, the spot for house business again. probably he felt it already as intern at rocker 33?, the club such as panorama bar and robert johnson. how else could you explain the b-side rush, you had to feel this dubby, gritty bassline. not hard enough - so maybe rush harder, you can have it all.

nice price deal !!! nice price deal !!! part 3/4! sixth release from the much anticipated imprint involving the founders of stablo alongside matt edwards aka > radio slave<

** vinyl only release **
innovator is a pretty strong word but we believe it really is the only one that will do as we at future reactions very proudly present the one and only boo williams. born and bred in chicago and inspired by house musics true greats - we are talking larry heard, lil louis, marshall jefferson and co., of course - williams has already enjoyed a long and illustrious career as both a dj and producer with numerous essential and seminal releases for some of the underground’s most distinguished labels, relief records, ovum and track mode to name but three. now we warmly welcome him to our stable with his spiritually runnin ep featuring the eponymous title track and last chance, two cuts of beauteous, textured, soul-warming house music that are proper deep too. just the way we love it.

super rhythm trax throws you a curveball with unreleased miami bass treats from legendary old skool crew cha-os aka jock d (cut it up def) and lon alonzo (dynamix ii) and the uks finest, bass junkie (breakin) & dexorcist (control tower) aka bassing guild. the 12 inch includes a brand new version of the 1990 classic, *this is too much bass* as well as a new collaboration between the two and an exclusive straight up electro banger in *b-boyonik*. this one is limited and strictly for the bass heads among you.

after releases for discos capablanca and moon glyth, minneapolis collective food pyramid align with especial for a remix ep based around oh mercy, a track from their 2012 album mango sunrise. apparently a long term favourite of label boss stuart leath, the warped breakbeat jam fusion of the original is ripe for reinvention and gets the remix treatment from especial in house team apophenia, inhalt and jamie paton. its the full on italo pumper remix from san francisco s inhalt that really impresses too, with especial right to compare it to timmy regisford classic remix of >rules to survive< by noi

42 copies only worldwide mint sealed stock imported from salsoul offices nyc original 1994 stock! this 4 lp box set set is a smash hit. one listen to songs such as: its good for the soul, salsoul rainbow, and tangerine and you too will be hooked. there is a great mix of instrumental and vocal tracks. this brings us all back to the good days of whirling strings and wailing woodwinds. you must purchase the compilation your money will be well spent!

1st pressing on white vinyl! melodic, floating and based on traditions but without sounding like something you already heard too often, that s about how we would describe the italian duo s second curle ep.

the peer pressure ep from the under-rated mark forshaw finds scenery records once again highlighting the rich strain of local production talent in the liverpool area. involved in the merseyside scene since the 90s, forshaw has released on labels like mathematics, tabernacle and apartment and is also a member of phantom planet outlaws with john heckle and binny. if you ve checked forshaw s prior output you will be happy with peer pressure as soon as the grubby, jacked up house of the title track hits its groove, with his four other cuts heading down a similarly unpredictable path. kudos to scenery for seeking out swedish producer daniel andreasson to remix the title track too! this is another no nonsense ep from scenery that is lovably rugged and unpredictably creative

laurine frost and denis kaznacheev teamed up to syud. their first ep ‘soho’ based on studio tapes which were recorded earlier in a small village not too far from moscow. all the three extraordinary pieces obviously contain modular synth, field recording elements and show the alloy of unique frost-kaznacheev style. tricky rumbling, heavy rolling basslines and crazy concept. joyfully intelligent tunes inside and outside of the dancefloors.

here are some plain and simple cuts by yours truly credit 00 that push just the right buttons to make people move. the tracks were made exclusively for his live set but they are too good to keep them back. without superfluous frills these four bangers scream party in every note but as usual with credit 00 theres also a melancholic side somewhere behind those tricky beats. house is a feeling!

for the past few years, young denmark vessey has been releasing a series of albums, both as a leader of carious groups and as a sideman in various others, which definitely mark him as one of the most exciting young players in music. vessey’s last album prior to this (2013’s cult classic) employed scud one for the rhythm section. vessey, in his own playing suggest that he may be forging a link between the new mainstream and prior innovations. it is to vessey’s credit that this album achieves a surprising degree of unity. there is little of the haphazard feeling that too often arrends blowing sessions by pick-up bands. it would be easier to mistake this for a group which works regularly. part of that is simply because vessey is a part of the new mainstream, the part that is seeking beyond the accepted common language to find ways of extending it. the rest is because of vessey’s unusual talent.

pure badness all over this 1979 jamaican disco-funk odyssey! king sporty should be no stranger to those of you with a keen ear for esoteric underground disco sounds, his tracks have been getting serious play by top shelf, discerning jocks since the 1970 s & his konduko label has dropped many a left-field bomb on unsuspecting dance floors! fire keep on burning is one such bomb, an lp crammed full of unstoppable stripped back island sounds, too many killer cuts to mention but just check out the og version of get on down for starters! an essential & extremely rare record & one that deserves a spot in any self respecting disco lovers collection. %100 heat on here, party jams from start to finish, let s go to the disco!

fantastic voyage continues to bring the sugar series to vinyl, with 32 standout tracks selected by stuart colman from the 75-track 3cd set classy sugar.
classy sugar is the successor to the thoroughly-recommended fantastic voyage compilations, heavy sugar (fvdv051), savvy sugar (fvdv059) and sassy sugar (fvdv098). whereas those releases were devoted to new orleans, the west coast and nashville respectively, classy sugar focuses on the big apple, new york city.

introducing the new vinyl only label, public system recordings, co run by matthieu foltyn and eric strykert. the first release is a split series ep from dj spider and grey people. starting off the ep, dj spider s mind field offers a percussive drum riff, warm synths, and a slight off beat rhythmic intensity that moulds together perfectly. next on spider s side is demon seed an intense journey utilizing deep stabbing kicks, delayed snares, whistling synths, and finishes with a soft subtle chant. flipping the record, grey people enters into the well familiar analogue techno spectrum. deep friday builds up with short stabbing cords, flickering snares and a spooky vocal. too much relevance is a rough acid chicago throw back. don t let this one slip!!

• billy nasty’s electrix recordings returns with a new ep by fleck e.s.c.
• very limited vinyl pressing features solid remixes from carl finlow and pip williams
franck collin, aka fleck e.s.c, is an electro artist originally from france but currently living in tokyo. franck’s earlier experience playing bass and drums in bands and his love of horror, science fiction and b-movies, naturally drove him to the electro scene. with additional influences rooted in new wave, contemporary, techno and ambient, fleck e.s.c tries to avoid the clichés of electro, leaning more toward the spooky side of horror and sci-fi and the cheap retro sounds in tribute of the movies he loves. never too serious or pretentious and always striving for fresh sounds, fleck e.s.c’s music aims to distract the body and the brain.
his ‘nice guy ep’ comprises two killer new tracks that emphasize this sound, the dappled ‘what r we waiting 4’ and the ominous tones of ‘nice guy’. remixes of the latter come from london modular’s pip williams with a sweeping rendition, alongside the mighty carl finlow who also adds his magic touch...

die zehn dub reworks von songs aus finks letztjährigem meisterwerk -hard believer- sind inspiriert von fin greenalls neuer heimat berlin und sein immer wieder aufkeimendes interesse an elektronischen produktionen. der englische singer/songwriter war bereits in den 90er jahren ein gefragter club-dj und electronic-produzent, bevor er mit seinen bandkollegen guy whittaker und thim thornton mit der band fink durchstartete und die welt erobert. auf -horizontalism- gelingt fink ein wundervoller musikalischer nachschlag zum album -hard believer-

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

joe goddard just had to knock on that door. the wall of his recording studio had been pulsating with original analogue house jams for too long, dry ice practically sifting through the vents. behind that door was gentleman george t, and before long the two heads were nodding to obscure dat edits and 4th hand soul samples as george plundered a wealth of forgotten late 90s dats from of a box in the corner. true story. and now those dat edits, lovingly un-restored, are available for the first time on greco-roman, the record label, party and artist collective of whom hot chip s joe goddard is a founding member.

hejira follow up their critically acclaimed 2013 debut album *prayer before birth* with the release of a new ep entitled *namesurname* on eglo records.

>when i asked, in turn, to depart with his help, he too denied me nothing. he gave me a leather bag, made from the flayed hide of a nine-year old ox, and imprisoned all the winds there. the son of cronos had made him the winds’ keeper, able to raise or calm them as he wished.< panta rhei 004.1 is the first half of the aeolus-series, starting with novaesian vinyldebutant sebastian gummersbachs deep house anthem >don t judge me< on recto and niccolo cupos oriental downtempo groover >subsolanus< thereunder. strictly limited to 200 mixed-coloured 7-vinyl, neither will it ever be repressed no digitally available!

available on vinyl (limited to 200 copies, no repress). release number eight on telefonplan is an all family affair. joining mad mats & toolis team of artists is swedish producer wiz andreas saag. mr saag has taken the leap from local talk and now makes his debut on telefonplan. opening track justice is dark, deep and with a sumptuous bass to sink your teeth into. it is rough and punchy with a clever vocal sample that almost works like a chant. justice comes in two versions, for those of you who like your song instrumental we have made sure your wish is granted too, it still got enough intensity about it without losing the pulsating heaviness. on the flipside, call of yacuma could be described as a grittier and stripped down version of andreas previous local talk track in the box. it is pure simplicity and groove makes it simply irresistible. listening to these tracks it is clear mr saag has been influenced by living in berlin these past years. both justice and call of yacuma wouldnt sound out of place in a dark club with a big soundsystem late at night. just make sure you get past the bouncer while entering the club.

2014 was a definitely a huge year for dance music, with many up and coming artists being thrown into the lifestyle of hectic partying and relentless touring schedules. this also means that those who exploded onto the scene prior are no longer the new kids on the block. a few years is a long time in the life of a dj, and the first few years are often the maddest. the adana twins are a perfect example of one of these artists, having emerged onto the scene in 2012 with releases such as everyday and strange , from the off it was clear that they had everybody s undivided attention. (pulse radio) with dj names like take it easy and friso, it s probably to be presumed that german duo adana twins don t take themselves too seriously. that tongue in cheek attitude could be heard on their first productions and remixes. it s now almost almost three years later and the twins music vision is constantly developing

supported by dixon, craig richards, sasha, ame, efdemin, the mole, midland, peter kruder, tiga, tensnake, xxxy, leon vynehall, auntie flo, hackman, skream, hunee, bbc radio 1, bbc 6 music, mixmag, dj mag, tsugi, beats in space, rinse fm, nts, vice, xlr8r, test pressing and many more. this is the first of the construct ltd eps. these releases will follow a slightly different path from the main label. we dont really want to give away too much on the ltd eps if we can help it, letting the music speak for itself where possible.

what happens when you pair multiple grammy® award-winning singer/songwriters from two separate groups whose members are also part of a legendary gospel dynasty? the new super trio, 3 winans brothers. with 17 grammys among them, a star on the hollywood walk of fame, countless accolades and more, 3 winans brothers, bebe, marvin and carvin, have joined together for the first time ever because of their love for writing, singing, and performing music. their debut album, foreign land (released september 30th, 2014) was written by the brothers, and released on the siblings’ independent record label, regimen records through a partnership with bmg & eone music. now, louie vega has taken one of their album tracks, the song “dance” (which features the grammy winning clark sisters) and reworked it for the dance floors. this version also included on vega’s new upcoming album this summer “louie vega starring…” will be released as a single on april 21, 2015 at all digital outlets on vega records. and look out for the vinyl release too. after a stellar performance at miami music week at the poolside funkified get down jam in march 2015, 3 winans brothers featuring the clark sisters have a smash hit already at clubs through select djs playing it, on radio with regular rotation in the tristate area on 107.5 wbls in nyc, magic 95.9 fm in baltimore and now washington dcs whur 96.3 fm. the royal families of gospel are taking the world by storm with “dance” (louie vega mixes) - 3 winans brothers featuring the clark sisters, universal sounds riding the musical dance waves worldwide!!

the swindlers return and not a minute too soon as far as were concerned! the hardest working duo in house music have had a mental couple of years playing every club and festival known to man, having babies, seemingly buying up the entire stock of vintage studio gear off ebay and thankfully knocking out some banging tunes on top of all that. well all club bangers gratefully received here at freerange so with open arms and ears were happy to be bringing you the figure of speech ep.

rounding off the vinyl series that accompanies themas label-defining strength in numbers compilation, part 4 downsizes from 12 inch to 7 inch to present two distinctive jams that show some of the farthest reaches of the new york imprints sound. laurine frost may be best known as part of the nonconformist house and techno scene of europe through releases on perspectiv, sharingtones and nervmusic, but on this special creation for thema he makes the perfect tribute to the city that gave rise to the label, with a little help from the racy diatribe of amiri baraka on “your house”. by way of a truly special finale for the series, minneapolis maverick dj slip graces the label with an all-too rare appearance, taking an altogether more primal approach on “x7” that channels his years spent conjuring up next level techno for missile, music man and more into a taut and punchy electro excursion infected with tricked out effects and seductive sci-fi noir atmospherics. it’s the perfect example of the freaky fringes thema has comfortably reached to over the course of the last forty releases.

ednic is the italian duo of nicola di gabbia and edoardo cortopassi, and by all intents and purposes, they’re an outfit that’s on to a good thing right now. the guys make quality, analog-enriched house and techno, the likes of which comes to the fore here on puas puas, a vinyl only label that’s already featured the likes of the mole, alex piccini and carola pisaturo amongst others. first up on the exceptionally refined strands of the auberste ep sis the sounds of the original, which is a barnstorming cacophony of acid flourishes and tension-filled motifs. a track that’ll keep you on the edge of your seat for some time, it features shades of old-school electro and techno, and is the sort of track that’ll definitely rescue any ailing dancefloor. the aforementioned carola pisaturo then perks up with the first of her two remixes courtesy of her brilliant ‘church’ mix. a bumping and grinding interpretation on the original, it too keeps the suspense high, most notably thanks to a dizzying array of melodies and a series of potent basslines. her ‘botta’ remix is a more stripped back affair, albeit one that still speaks to fans of discerning fare thanks to its relentless attitude. full of shiny percussion and the odd sultry vocal smidgen, it’s further indication of a producer who looks set to enjoy an excellent 2015. this is classy stuff indeed from the puas puas label.

the third volume of the salamanca edit series. the a-side contains a heavy southern rock banger while the flip side features two new wave / popish edits of tracks that are just too good to get lost in time. again the sleeves and labels are hand stamped with love. limited to 300 copies!

len faki initiates a new series on figure. a hybrid of picture disc and classic vinyl, 65.5 looks to the future of the label in a bold statement both musically and aesthetically. already well known for his precise works, and with a wealth of remix credits under his name, djs have come to know exactly what they can expect from a len faki production - pure quality and dedication to his art! with other key figure artists expected to contribute to the concept too, we re excited to offer up this beautifully crafted series of collectors items. the classic rattling techno stabs of basic pain procedure are reworked into a storming deep quest for the floor - one for the heads, the original was produced by a certain and much heralded uk duo in their early years of operations… len faki takes the haunting, bare bones of the original and modifies it gracefully, resulting in this high-end reprise. emerging from the hazy echoes of a late 90s rave in the uk, by way of chicago, the classic synth line could be the epitome of a genre that seems to live on timelessly without borders or the need for hype: dub techno spirit 2015!

limited edition of 500 hand numbered copies.

for the first time in too long, influential visionquest founder, dj and producer shaun reeves is back with a new ep. this one - the label’s 50th, no less - comes in collaboration with acclaimed italian house producer tuccillo, features two essential new tracks and comes with a fantastic remix by dorian paic. shaun has released on the likes of crosstown, wolf + lamb and catwash and has worked with art department and dj w!ld, but here it is well informed house man and 2020 vision and holic trax associate tuccillo that is his musical paring partner. together the pair really hit it off with some truly infectious club tracks.

anonymous is a regular tune in chris liebings sets across the world since summer 2014. the track has been selected by rebekah on her mind sets compilation on clr. anonymous is a subtle groove driven techno tune designed for the dancefloor. on the flip side of clr087 emerson takes us on a cinematic journey with his very own too many people talking (not enough information). a mesmerizing ambient tune that invites us to get into emersons universe. anonymous ep by emerson is surely one clr release not to be missed. its big! (chris liebings words)